Odile-Amélie Peters
© Sébastien Durocher
Technique class - Body Elasticity
I invite you to fully dive into an hour and a half of movement to explore your body in its full range—its nuances, impulses, and silences. An articulated, precise, and elastic body, shaped by musicality, moving both across the floor and through space, will be at the heart of the practice throughout the week.
This class includes time to familiarize ourselves with a warm up to oil our body and joints. Guided exercises, led by specific directives, will prepare us to propel ourselves into the extremes of movement and will inform the sequences/combos that we will learn and deepen day by day.
Here, our bodies can fully unfold—inhabited and alive. A moment to allow ourselves to explode in both intensity and softness, to let go, to feel the pleasure of moving and to physically push beyond our limits; with freedom, rigor, and commitment.
Odile Amélie
Peters
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© Laurent Marion
Technique Class
Body Elasticity
June 1 to 5, 2026
9:45 a.m. to 11:15 a.m.
(7.5 hours)
École de Danse Contamporaine
de Montréal
Studio: to be confirmed
Pricing and
Registration
DAC member - $83
Standard- $135
*This workshop may be partially reimbursed through the RQD Dancer Training Support Program . Please verify directly with the RQD.
Odile Amélie Peters
Originally from Montreal, Odile-Amélie Peters grew up in Quebec City. She began dancing at a hip-hop competition studio, Studio Party Time. Her passion led her to pursue contemporary dance studies at L’École de danse de Québec, where she graduated in 2012. Since then, Odile has performed with various companies and choreographers in Quebec City, Montreal, and Vancouver, including Le fils d’Adrien danse, Company 605, Skeels danse, Shay Kuebler Radical System Art, Charles Brecard, Geneviève Duong, Le Crue, Danse K par K, Dorotea Saykaly, Compagnie D’Eux, Léa Ratycz Légaré, Opéra de Québec, and La Tresse. Odile-Amélie has collaborated with the Alan Lake Factori(e) company on various works since 2013, the most recent being S’abreuver des volcans. Since returning to Montreal, she has continued her collaboration with Skeels Danse.
A dance teacher since 2012, Odile maintains a strong connection with L’École de danse de Québec, where she is occasionally invited to share her art with students. She has taught at L’Artère in Quebec City and has been invited by the Regroupement québécois de la danse (Quebec Dance Association) to lead the Multiregional classes.
In her roles as both performer and teacher, Odile-Amélie directed the movement for the play *The Quarterlife Crises – Transforming Ruins into Eyeshadow*, written by Catherine Côté and directed by Gabriel Cloutier-Tremblay. She is currently directing the movement for Jorie Pedneault’s play, *Je nous ai promis un fiasco* (I Promised Us a Fiasco), directed by Nathalie Séguin. She co-choreographed Carmen with Léa Ratycz Légaré for the Opéra de Québec, directed by Nicolas Berloffa. Odile-Amélie also had the opportunity to create her own solos as part of Osez en solo, produced by Danse K par K